NEWS

The Watchers

artnet news

What Revolution MIght Look Like

Hyperallergic

Revolution from Without…

4Columns

Revolution From Without…

The New York Times

Artists of Color as Avatars of Originality

The New York Times

The Timely Call of Revolution from Without…

RIOT MATERIAL

Sedimentations: Assemblage as Social Repair

The Brooklyn Rail

ARTISTIC DETRITUS, THE CIRCULATION OF POWER, AND INTERVENING IN THE HISTORIC RECORD AT THE 8TH FLOOR

AEQAI

REFUSE TRANSFORMED: REUSE AS SOCIAL REPAIR

Hyperallergic

REDUCE, REUSE, RECYCLE

office magazine

PABLO HELGUERA & SUZANNE LACY: THE SCHOOLHOUSE AND THE BUS: MOBILITY, PEDAGOGY, AND ENGAGEMENT

The Brooklyn Rail

THE SCHOOLHOUSE AND THE BUS

Art Practical

THE SUPPER CLUB: AN INTERVIEW WITH ELIA ALBA

Huffington Post

ELOQUENT PHOTO-PORTRAITS OF 60 CONTEMPORARY ARTISTS OF COLOR

Hyperallergic

LAS DIFERENCIAS RACIALES COMO SÍNTOMA DE CREACIÓN Y SINGULARIDAD

Vice en Español

DINNER AND A REVOLUTION

Cultured

ELIA ALBA’S ‘SUPPER CLUB’ PHOTOS BRING VOICES OF COLOR TO THE PROVERBIAL TABLE

Observer

ELIA ALBA, AFROFUTURISM, AND LIBERATORY BLACK IDENTITIES

Nonprofit Quarterly

ELIA ALBA’S “THE SUPPER CLUB”

Artforum

ELIA ALBA IS TURNING ARTISTS OF COLOR INTO FANTASY ICONS

Artsy

VOICE=SURVIVAL

The Brooklyn Rail

QUEER ARTISTS SHOW THAT ACTIVISM IS KEY TO SURVIVAL

Hyperallergic

YOUR SILENCE WILL NOT PROTECT YOU

POZ Magazine

VOICE = SURVIVAL FEATURES ART ADDRESSING THE AIDS EPIDEMIC

OUT Magazine

“THIS IS A REVOLUTIONARY MOMENT”: GENESIS BREYER P-ORRIDGE ON INTERSECTIONALITY IN ART

Hyperallergic

THE INTERSECTIONAL SELF AT THE 8TH FLOOR

DAILY SERVING

THE SHELLEY & DONALD RUBIN FOUNDATION ANNOUNCES NEW LEADERSHIP

THE TRANS IDENTITY ART SHOW BRINGING TOGETHER CATHERINE OPIE AND BLACK LIVES MATTER

i-D Magazine

THE SHELLEY & DONALD RUBIN FOUNDATION AWARDS SOCIAL JUSTICE GRANTS TO 47 NEW YORK ARTS ORGANIZATIONS

ARTnews

DO IT SLOW: A CONVERSATION WITH SARA REISMAN ON ‘ENACTING STILLNESS’

Art F City

I’D PREFER NOT TO: ‘ENACTING STILLNESS’ AT THE 8TH FLOOR

Hyperallergic

ENACTING STILLNESS AT THE 8TH FLOOR

Temporary Art Review

ENACTING STILLNESS

BOMB Magazine

WHOSE CARE IS IT ANYWAY? REFLECTIONS ON IN THE POWER OF YOUR CARE

Arte Fuse

A SUPPER CLUB INVITES ARTISTS OF COLOR TO DISCUSS SANCTUARY AND SAFETY

Hyperallergic

ARTISTS SHARE THEIR PERSONAL, TRAGIC EXPERIENCES IN HEALTH AND CARE

Hyperallergic

REVISITATION PHASE: LOOKING AT ART AND AIDS

Art in America

AIDS ARTISTS ANCHOR NEW YORK EXHIBIT ON HEALTH

Out Magazine

UNA ARTISTA CUBANA ORGANIZA VOTACIÓN SIMBÓLICA SOBRE MIGRACIÓN

NY1 Noticias

EL REFERÉNDUM DE TANIA BRUGUERA

NY1 Noticias

“DEAR NEW YORKERS, TEAR DOWN THOSE WALLS”: TANIA BRUGUERA TO STAGE PUBLIC VOTE ON IMMIGRATION

The Art Newspaper

TANIA BRUGUERA TO STAGE “REFERENDUM” IN UNION SQUARE

BLOUIN ARTINFO

GRANTS FOR SOCIAL JUSTICE

The New York Times

I TELL YOU WHAT FREEDOM IS TO ME: NO FEAR

ArtSlant

THE EIGHTH FLOOR, PLEASE

IFA CONTEMPORARY

BETWEEN HISTORY AND THE BODY IS A DAMNED GOOD SUMMER ART SHOW

Village Voice

NICK CAVE, ANA MENDIETA AND BRENDAN FERNANDES SHINE IN ‘BETWEEN HISTORY AND THE BODY’

Forbes

TANIA BRUGUERA, AN ARTIST IN HAVANA, HAS A GREAT NEW YORK WEEK

The New York Times

NYC DEPARTMENT OF CULTURAL AFFAIRS AND MAYOR’S OFFICE OF IMMIGRANT AFFAIRS ANNOUNCE TANIA BRUGUERA AS ARTIST-IN-RESIDENCE

NYC Mayor’s Office of Immigrant Affairs

SARA REISMAN APPOINTED ARTISTIC DIRECTOR OF RUBIN FOUNDATION

Shelley & Donald Rubin Foundation

INTERVIEW: TANIA BRUGUERA ON HER ART, HER DETENTIONS AND WHAT HAPPENS NEXT

Los Angeles Times

RICARDO PORRO, EXILED CUBAN ARCHITECT, DIES AT 89

The New York Times

Arlés del Río’s Nearness in Times Square

Cuban Art News

JUAN DELGADO ON THE NEW “DETRÁS DEL MURO” EXHIBITION AND BOOK

VULNERABILITY AS CRITICAL SELF-KNOWLEDGE ERNESTO PUJOL WITH THYRZA NICHOLS GOODEVE

The Brooklyn Rail

HEAVY HITTERS: DAMN YANQUIS AND CARTOON VAMPIRES

Village Voice

WINDOW ON NORTH KOREA

The New York Times

CUBAN ART ON THE MOVE

Art News

QUELOIDES

Art Nexus