Narrative Obsession in the Post-Colonial Psyche
May 16 - July 13, 2024
Opening Reception
May 16, 6-8pm
RSVP Here
Yinka Shonibare CBE, Hybrid Mask (Koré) II and Hybrid Mask (Bamana Ntomo), 2023. Wood acrylic paint and brass. Courtesy of the artist and James Cohan, NY.
The Shelley & Donald Rubin Foundation is pleased to present Narrative Obsession in the Post-Colonial Psyche, a new group exhibition at The 8th Floor. Opening on May 16 from 6-8pm and on view through July 13, it will explore post-colonialism from the perspective of 12 artists addressing the harmful global histories and present-day legacies of imperial subjugation. The featured artists are Firelei Báez, Gerard & Kelly, Brian Jungen, Hew Locke, Joiri Minaya, Frida Orupabo, Keith Piper, Umar Rashid, Yinka Shonibare CBE, Elisa Sighicelli, and Kara Walker.
Post-colonialism as an area of study began in the field of literature through an assessment of Western-centric projections onto characters in fiction. It has since expanded to include the disciplines of art, anthropology, philosophy, and sociology. A foundational text on the subject is Edward Said’s Orientalism, which exposed the European fantasy that denigrated colonial subjects through constant Othering and fetishization across Asia and the Middle East. Although many aspects of Said’s original argument have been refuted as restrictive in geographic, cultural, pedagogical, and religious scope, cultural institutions have been deconstructed through this metatheory since the early ‘80s.
Narrative Obsession excavates the layering of diverse histories through the impulses of artists engaged by works of literature in both fiction and fact. Artworks on view challenge institutional power structures, address problematic legacies within current states of settler colonialism, and highlight the discreet colonial impact of industry and tourism upon the environment. Unlike the literary tradition, artists are not confined to the theoretical strictures of research; their approach to the subject ranges from documentary-like narratives to a proliferation of fantastical ones, essentially reversing the European colonial gaze which governed, manipulated, or destroyed forms of cultural expression considered as “Other.”
Can there really be such a state as post-colonial when the systems of manipulation in poorer nations still give way to pricing and access determined by former colonists? Is post-colonialism instead discrete colonialism, where money funneled through companies is not explicitly sullying the reputation of identifiable countries? Is it another type of fantasy, and ultimately just a narrative?
Narrative Obsession is curated by Anjuli Nanda Diamond and George Bolster, with programming to be announced soon (mailing list). To learn more about the works in the exhibition, please read the full press release linked below.
Image description: Two images side by side of two masks mounted on small black pedestals, against a white background. Both made of wood acrylic paint and brass, the mask on the left has red and yellow leaves against a light blue and white pattern, with an elongated nose and tall ears. The mask on the right has swirly red branches against a light-yellow pattern, with tiny eye holes and more abstract elements on its head pointing upward, perhaps a helmet.